Baby, let me follow you down: the illustrated story of the by Eric von Schmidt

By Eric von Schmidt

Lengthy out of print, child, enable Me stick to You Down is a vintage within the background of yankee pop culture. The publication tells the tale of the people track group in Cambridge, Massachusetts, from its beginnings in residing rooms and Harvard sq. coffeehouses within the past due Fifties to the heyday of the people song revival within the early Nineteen Sixties. 1000s of historic photos, rescreened for this variation, and dozens of interviews mix to re-create the years while Joan Baez, Bob Dylan, and a full of life band of Cambridge folksingers led a new release within the rediscovery of yankee folks tune. Compiled by means of musicians who have been lively members within the Cambridge folks scene, the quantity records a different time in usa tradition while the honesty and power of conventional people tune have been mixed with the uncooked strength of city blues and the excessive power of electrical rock and roll to create a brand new American renowned track.

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Extra info for Baby, let me follow you down: the illustrated story of the Cambridge folk years

Sample text

He sang with his sisters in churches and they were known as the Jackson Sisters not the Jackson Sisters and Clay just the Jackson Sisters. They were bigger than he was. Clay was leaving all that behind. He was headed to Cambridge, the sophisticated east. Bob Siggins was headed east, too. He was coming from Grand Island, Nebraska, but he was no hillbilly either. He could play the bongos and "Ruby" on the chromatic harmonica. He was good at sports and with girls, but he was leaving all that behind to get a good education at Harvard.

Nobody but the Cambridge Police. Joyce was on hand when they arrived. They came in very melodramatically, blew their whistles, and said, "This is a raid. " The problem was we didn't have a music license. And you had to be a private club to have one. It was all tied up with the old blue laws, and it was the reason why there was no music anywhere in Harvard Square. You couldn't have more than three stringed instruments and serve any kind of food or beverages. At the time, we also felt that they were after us because we hadn't paid anybody off.

I had that look about me even then. We did a lot of benefits, for Spain mostly. We would sing a lot of songs. Some Gershwin songs; stuff from "Porgy and Bess;" or "Strange Fruit" before Billie Holiday. Each issue had its own momentum. About half of us were Communists. We had a lot of meetings, a lot of arguments, a lot of self-criticism, like the Chinese do today. We were a grassroots community group, very proud. We'd do shows wherever we could get a place. So I cut my teeth on some of those things, but I had never thought of actually doing this for a living.

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